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music player

Sunday, 16 November 2014

central hotel eden - excerpts I - IV

flickering images coming into focus...



I

the old open-air cinema stands alone, isolated in the desert sand beyond the failing port. sandstone amphitheatre, mosaic tiles along the floor and vast, canvas screen billowing in the gentle breeze. with the full moon rising overhead the projector begins to click and whir. flashes of light across the screen begin to take the shape of black and white reels exposing scenes of forgotten times. faces of the long since departed. frozen expressions and ambigous gestures. desert air twists gently around us as we take our seats for the duration. the ruinous port, endless desert and vast sky becoming extensions of the frame. a giant film set, limitless and expanding. the film climbs high into the night air and across the sky, sailing above the city by the ocean. casting frames upon the rooftops, churches, piazzas and across the old town. images dancing amidst the flames and burning timbers.




II

heavy rains fall across the rooftops, spilling into gutters, overflowing from stormdrains along the curbsides, over cobbles, across the marketplace, upon the crumbling spire. we rest in the solace of the attic as the water beats down above us. our eyes heavy in the half-light. warmly distorted tones from the old portable cassette player fill the room as the images of the dreaming slowly start to come in. we row between the sunken buildings in a small coracle, gently buffeted by the dips and swells of the rainwater around us, tramlines and streetlamps but a few feet above us. the sky filled with a feint luminosity, a green-orange glow to warm the scene. gentle warm mists embrace distant street corners as a low crackling sound combined with tape-hiss like gently soothing waves reverberates through the otherwise silent scene. we pause to let our fingers trail in the warm water and watch the streets stretch out far below, submerged in the deep tides.



III

a thousand stars circle the heavens. trailing red and blue, green and amber. the rooftops of the city a myriad geometry trying to describe itself in all directions. each room in the city a vestibule, a portal between worlds. silent communion transpiring in every location simultaneously. the whole city is connected and breathing a gentle passage, repeating across the sky, falling away within itself. a fadng dream stretching out into the distance, a cloud column rising up and away from the world. time stretches itself out as the fires burn brighter and brighter. amber flames turning red, blue, green. the backstreets and alleyways between the buildings of the old town beginning to shift and alter, to converge and come apart, to change direction, to fall away into wild ellipse. the uncertain days beckoning nights of forgetting. the old machinery slowly begins to fail. a timid path drawn out in front of the weary traveller. a distant, fleeting whisp of a dream now lost within the growing imbalance of the failing structures.




IV

at dawn we reached the silent island. the hot sun beginning to rise and casting psychedelic hues across the trailing cloudbanks which sailed gently above us. jade, turquoise, ocre, golden light shapes in contrast to the azure blue steadily building across the vast sky. the silent island beckoned our vessel forwards, the continued droning of the engines now a soundtrack to the coastline revealing itself before us. tranquil beaches and rocky shores, grasslands and wooded regions, ruined fortifications of ancient cultures, previous inhabitants now long since gone away. our vessel passed slowly into the old port, the gentle waves buffeting against the stone walls, the few structures still standing around the dilapidated scene casting images of distant times, fading memories. we stepped off our vessel and paced onto the sandy shore, turning to cast our gaze back towards the ocean, and rest awhile as we watched the ship motor its way back out into the blue drifts.


-

excerpts from 'central hotel eden', a work in progress...

keep safe

jamesreindeer

leipzig germany
16th november 2014

Monday, 10 November 2014

الحمراء‎ | court of the lions | out now

very gladly taking the opportunity to announce that my latest release, alhambra - court of the lions, is now available as an ultra-limited edition cassette tape and digital download from my bandcamp page.


two fifteen-minute instrumental compositions, based on the original 'alhambra' piece from my 'sittah sittah sab'ah' album, the release is an instrumental journey into arabian-influenced-dark-jazz-doom-drone.


please do be sure to think about securing yourself one of the twelve hand-crafted cassettes, or a copy of the download which also includes a six-page digital booklet with auxiliary materials. get involved.

jamesreindeer

connewitz, leipzig
10th november 2014

Friday, 7 November 2014

art forms of dimensions tomorrow

'Art Forms of Dimensions Tomorrow.... contained "Cluster of Galaxies" and "Solar Drums", two rhythm section exercises with the sound treated with such strange reverberations that they threatened to obliterate the instruments' identity and turn the music into low-budget musique concrète. While testing the tape recorder when the musicians were tuning up one day, Hunter had discovered that if he recorded with the earphones on, he could run a cable from the output jack back into the input on the recorder and produce massive reverberation...'


'By the 1950s commercial recording companies had developed a classical style of recording which assured that the recording process itself would be invisible... but Sun Ra began to regularly violate this convention on the Saturn releases by recording live at strange sites, by using feedback, distortion, high delay or reverb, unusual microphone placement, abrupt fades or edits, and any number of other effects or noises which called attention to the recording process. On some recordings you could hear a phone ringing, or someone walking near the microphone. It was a rough style of production, an antistyle, a self-reflexive approach which anticipates both free jazz recording conventions and punk production to come.' 

- John F Szwed

الحمراء‎ | court of the lions | coming soon

gladly presenting, alhambra - court of the lions, and the architect's garden. two sprawling, dream-like re-investigations of the original piece to be found on the 'sittah.sittah.sab'ah' album, and taking us further into the hallucinogenic depths of the shimmering desert-sea palace by way of psychedelic incantations. 

court of the lions finds us buried deep within abyssal sub-bass frequencies, wailing trumpets and doom-like oud passages, that so very slowly build into a vast dirge of monolithic proportions, yet one so measured and deliberate in its intent to crush. 


the architect's garden, in contrast, finds us caught in a shimmering sunlit dream of droning saxophone and oud, field recordings and hazy, blissful recollections of distant shores slowly coming into focus, before trailing back away into a lilting still. 

available from monday as an ongoing digital download, and ultra-limited-edition cassette tape of only twelve copies; be sure to investigate immediately, and allow yourself time to be swept up into the thunderous storm and to bathe in the warming radiance. get involved. 

jamesreindeer
Connewitz, Leipzig
Winter 2014

Monday, 3 November 2014

mism records no.10 | 12" vinyl | out now

might we most jubilantly announce that our highly-esteemed dear brothers over at mism records have gladly released their fifth anniversary celebration vinyl compilation, in the form of a beautiful 12" record, containing six tracks of pure musical wonder for your listening pleasure.



featuring contributions from papervehicle, bleubird, babelfishh, reindeer, tenshun, glen porter, maki, and soso, the release is awash with soon-to-be classic bangers for your eternal entertainment. be sure to fix yourself a copy as soon as time and funds permit, only 200 pieces exist worldwide.

get involved

jamesreindeer
leipzig, germany
november, 2014

Saturday, 11 October 2014

my education: a book of dreams


When you unsaid the day and split the hour
I thought, What do seconds do after hours?
And I thought, Minutes are here to go.
So told Edgar Allan Poe
In a brief time before the dead eons
blamed the live months for nothing and everything
But nobody and nothing could heal the split
as time blubbered like severed coral
And there was no time left to mend
the wounds of punctured time spilling
into the void of used razor blades in
the heart of bellowing Texas 
For theirs is not an ill for mending
Better take it to the waves that
soothe the Band-Aids of rainy afternoons
And consummate the spray paint's despairing
flares across the tilted ponds of
Despond and mercurial pollutions
For there is no balm in suburbia
for the lost bougainvillea's purple lament
For it was after all present and pre-
written eons ago with broken stone hoe
bowed by the weight of centuries he stands
and offers to you his pre-callused
hands that mar the bubble gum's
affreuse, frivolity, with false teeth
in a screaming skull, molten lead
in the screaming ear and brittle
nuance of greasy fear. It is not
too late to turn the page.

from My Education: A Book of Dreams
by William S. Burroughs

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