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Friday, 15 November 2013

this is exactly what it's like : numbers 001-010


no.001 : ragnar kjartansson - guð

never actually released as a piece of music, but rather the soundtrack to an audio/visual installation by the icelandic artist working on collaboration with a group of others. something i stumbled into as part of a wider exhibition at the mathildenhöhe in darmstadt at the very beginning of summer 2012. a pink room, lined with velvet curtains, a big band on the screen, tuxedos and evening dresses, beaming smiles on their faces, performing this refrain over and over and over and over again. a deluge of sadness in ever-building waves; a delicate poem describing with such close understanding exactly what it's like.

no.002 : songs:ohia - didn't it rain

one of many songs for the last day on earth. it would be an impossibly churlish act to even dare attempt to describe the bottomless depths of power, strength, fragility and desperate sadness within the work on the now-all-too-legendary jason molina, and this, for me, perhaps his most telling piece, should one be forced to extract a single entity from his overwhelming catalogue. every line is a blade to the heart and a flickering candle burning simple hope in the long dark. i am beside myself in tears within the first moments, ready to bathe in the fragile glow for all time.

no.003 : slowdive - machine gun

a soothing dream bathed in the perfect fuzzy-distortion of the sound of shoegaze operated by one of its finest group of purveyors. blue summer skies and a shimmering radiance falling across the surrey-hills, endless childhood days, a whistful dream of peace playing gently across the leaves dancing in the light on high canopies. a wonderful calm that seems to extend out into the horizon forever, trailing cloudveils changing colour in its wake.

no.004 : jackie-o mf - beautiful september [we are going there]

a spell i first fell under during the summer of 2005, hazy dreams of gentle walks across the north-downs, resting in dappled glades of shimmering sunlight. the memories of endless childhood days mixing in with the slow understanding of the steady passing of time. the quiet murmuring of a steadily approaching autumn, ready to steal away the heat and light of the long days, to paint the hillsides in deep-reds and golden-browns. a faint melancholic stirring of slow-nostaliga coming in.

no.005 : low - two-step

a band first introduced to me by fbcfabric during the long production to our album together. i remember being wrapped in blanket, cradling tea in his makeshift studio in newcastle and first hearing their desperately-sad melodies issuing from the monitors. it always sounds like a cold mid-western winter; frozen fields and snowdrifts, the melancholic dark of the winter, the warmth of the stove and fireplace. keeping warm together in the depths of the descent.

no.006 : Διαφανα Κρινα - Βάλτε Να Πιούμε

the true masters of the modern greek tragedy. i am in athens, in mοναστηράκι, taking lipton yellow label tea and smoking assos international at the foot of the parthenon. the heat of the city, the forthcoming onset of the long night. the endless noise, chaos and confusion of the ancient capital, and the slow, steady descent of the terrible sadness of knowing of how fleeting it all is. the dream collapsing with each new moments passing.

no.007 : yo la tengo - blue line swinger

when the service-revolver put to my head, then i choose this as my favourite song in the world, from my favourite album in the world. it is the spring of 2003 and i am sitting in my third-floor apartment on eailing broadway, opposite the town hall and next to the old cinema. the sound of emergency vehicles and taxis sounding out in the night as the music steadily builds to a seemingly-endless crescendo. and this absolutely perfect text, these timeless words of pure understanding. how more soothing words could never be spoken, how it is all one can hope and ever need to hear.

no.008 : espers - black is the color

to suffer death one thousand times. black is the color. to be alive, to seek love, to love, to be loved. this is exactly what it's like. to be apart from the one you love, to miss them with all your heart. to be broken-hearted, to be torn apart. to suffer the ills and woes, the myriad torments, the loss, the regret, the tragic undoing of all that was once a dream of a perfect whole. to fall away into despair only to gentle rekindle the bitter hope. this is exactly what it's like.

no.009 : bonnie 'prince' billy - death to everyone

finding meaning in a meaningless world. these short lives, filled with so much suffering. each soul with their own cross to carry, with their own burden to bare. how it is the blackest of comedies indeed. how absurd and strange the most futile path can appear. how we are at moments completely lost, completely broken, and in the next moment all that can be done is to laugh and marvel at the ridiculous pursuit of it all. a curious and perculiar life within a yet-more bizarre world. we are swept up in events beyond our control and so often reduced to motionless reflection.

no.010 : mount eerie - lost wisdom

images of loss within the frozen cold. i originally stumbled upon mount eerie via the very-splendid blog over at WFMU, procuring myself a digital copy of the 'seven new songs' collection and was of course a fan from the first moments. but truly, mount eerie makes me think of dug yuck and babelfishh before all others. communing with them in various venues, basements and backrooms across europe, talking long on the power of the music, of the darkness laying in wait at the foot of the distant mountain ranges. the soothing calm of the frozen still rising to an impossible screaming gale. there is something magical and dark in the wilderness, and how it eeks into our bones when we reach out to find it.

keep safe

jamesreindeer
mulheim-an-der-ruhr
deutschland

Thursday, 14 November 2013

this is exactly what it's like : an introduction

for the past almost eighteen months i have been posting a series of songs via my personal facebook page, vaguely-esoterically titled 'this is exactly what it's like', slowly gathering a numbered list of tracks, decided upon by whim of the moment to build up an ongoing collection of some of my favourite music.

for some time i have been thinking about the best way to present them in a more satisfying form, collected together and with some annotation and explanation on my part as to exactly why they are exactly what it's like, and now that i am approaching the 200 song mark, i thought it might be high-time to take action.

still, it would be only right to mention that, as with a number of my projects, a final spur of impetus was provided by my dearest brother james p honey, in his quizzing me for the whole list and requesting that i might somehow make them available in a more cohesive state. and how fitting this would be too, for the title of the series is indeed inspired by one of our own lyrics.

i have long been a passionate fan of so many forms of music, purely driven by the feeling that each song, each album, each band, each live show would give me, sensing this overwhelming feeling in the moment that it is indeed exactly what it's like, to be here, to be alive, now, in the moment; some intangible magnificent sensation.

but how there is such a weight attached too, such a gravitas, as with everything in life, when studied close enough. so often the music is sad, as is the nature of this life; the weight and sadness of the music and words reflecting our own feelings, allowing us to mine deep trenches of troubled emotions in an attempt to understand, to truly feel.

in the case of 'the price of grey' which the lyric is taken from, honey and i were exploring very dark themes indeed; the world as viewed through the lens of the television, the way the world is presented to us, the way it is twisted and altered to manipulate our emotions, our needs. a dark exploration of the troubles of our times.

moreover, in my own personal work, and that of so many others, the act of creating is in itself trying to describe exactly what it is like, and how there is a cathartic release in being able to externalise these feelings and sensations and this great sense of communion that follows in being able to share these works with other souls.

in the very same way, selecting the perfect song is an artistic gesture in itself; being able to sustain a mood, a sensation, to bring the listener through an emotive journey with a selection of compositions finely-tuned to a certain feeling, to a certain mood. the skills employed by bedroom dj's and mixtape creators, the art of describing exactly what it's like.

still further though, how 'real life', how it really is exactly like, is not a straight-forward linear narrative, in any context. our world flits around us, our senses take snapshots at intervals, we filter the material, subconsciously or otherwise, our moods cab alter with such rapidity, our thoughts taking us into so many places, and how the music can describe this for us.

'this is exactly what it's like' is a series aiming to be as true to my own personal path through this ongoing shared experience, knowing that the materials i am gathering together are all very much in the public domain and therefore relevant and personal in different degrees to different listeners at different times, creating a widely-disparate, but hopefully cohesive whole.

it would of course be churlish not to accept that this collection is based purely on my own musical tastes and can therefore only be seen as a narrow glimpse of a greater whole. but still, i like to imagine that, in my long years of listening, my taste has diversified enough for anyone listening to perhaps be able to find some new and interesting threads for their own musical voyage.

so gladly, might i begin to present 'this is exactly what it's like', the complete archives

jamesreindeer
mulheim-an-der-ruhr
deutschland

14th november 2013

Tuesday, 5 November 2013

amidst the long desert dream - volume one

gladly presenting 'amidst the long desert dream' volume one. a collection of eight songs from a variety of places and times, but all drawing together the threads where western jazz and traditional arabian music collide, and seamlessly woven together to create a long, cohesive whole to draw the listener up in vivid waking dreams of distant lands. 



created in celebration of my 'six.six.seven' / 'field reports from the desert lands' twin releases, scheduled to be unveiled soon via mism records / vi . vi . vii, this is the first of two volumes exploring some of the sounds which have served as an inspiration for the sonic-landscape that the projects encompass. be sure to investigate when time permits.

keep safe

jamesreindeer
leipzig, deutschland


Monday, 4 November 2013

الخزنة‎ | video out now

lowest-resolution salvaged reels of the first video to accompany my forthcoming tape release on mism records are now available to stream exclusively from my youtube channel; field reports from the projection room. might we present with some trepidation, the treasury.


shot and cut using obsolete technology within the iron filings and sellotape compound, the film contains poorly-lit moments of strange psychedelic imagery to the sounds of the first song to be made public from my first official solo full-length release. be sure to investigate when the moment takes you.

keep safe

jamesreindeer
leipzig, deutschland


Sunday, 3 November 2013

jamesreindeer - mixcloud established

gladly reporting that i have established an official jamesreindeer mixcloud page in anticipation of creating an auxiliary audio resource gathering together materials from far and wide. do expect a wide range of mixes, exclusive collections, found materials, field recordings and spoken-word elements, amidst a host of others.


do be sure to 'follow' via mixcloud itself, bookmark the page, or simply keep it in the back of your mind. a wealth of content will begin to emerge over the forthcoming weeks, starting with a two volume collection in celebration of my upcoming tape release via mism records, exploring the worlds where western jazz and eastern traditional arabian music collide. get involved.

jamesreindeer
leipzig, deutschland

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