vi . vi . vii

vi . vi . vii

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Showing posts with label iron filings and sellotape. Show all posts
Showing posts with label iron filings and sellotape. Show all posts

Thursday, 27 February 2014

field reports from the old world : amidst the woodland hillside still

the main hall of  české budějovice hlavní nádraží was a throng with passengers queuing for tickets, watching the announcements and awaiting seemingly myriad arrivals and departures. i was for a moment a little hesitant that i would make my service back to praha in time to catch my subsequent connexions, but how the line moved quickly and i was able to secure myself the appropriate ticket with enough time to make my way up to the correct platform and board and early afternoon service back north across bohemia. how the route was slow and beautiful, the rolling hills unfolding as a little mist began to creep across their surfaces, and how a few familiar spots along the route had me reminisce on previous outing through these lands; the hlavní nádraží at tábor and the still half-drained jordán being the keenest reminders of magical times of years now steadily passing.

our service pulled into the hlavní nádraží in praha as the sun had slowly sunk below the horizon and the night was begin to paint the sky in the darkest hues, and how a light rain was beginning to fall, slaking the scene in a shimmering haze of neon and amber. i had a short while to kill before the kolín service would depart and managed to find a nice spot out of the rain, sheltered by the ornate facade of the old station entrance walls affording me views of the busy traffic that runs incessantly along the major thoroughfare. i just sat a short while, reflecting on the last couple of days and keenly anticipating the next couple still to come. i wandered back down to the platforms and took the kolín service, letting my eyes rest awhile in the carriage, the night now fully descended.


by the time i changed in kolín and boarded the kutná hora service a heavy rain was falling across seemingly all of bohemia; even for a brief while reminding me of the deluge of last spring upon these already green and lush lands. gladly, upon my arrival at the hlavní nádraži there, i was met by my contact for the evening, a gentleman by the name of vit, who quickly grew to legendary status in my estimations within the first hour of our meeting; his first effortless move being to have secured the use of a car enabling us to escape the brunt of the inclement conditions as we ascended the hillsides above the town to his outrageously charming residence high up within the woodland glades that offer such a peaceful shelter within the heights of the hilly districts.

all was very much in hand, it clearly seemed, as we made our way into his super-comfy abode, his beautifully gentle dog klaudie greeting us at the door, the oven having kept the ground floor nice and cosy for our return, tea soon brewing and a wealth of treats by way of a very special dinner prepared by lenka, vit's clearly wonderful other-half. i took the opportunity to enjoy a much-needed cup of earl, as big a plate of this rich feast as i could manage and a little less than an hour to relax whilst vit and klaudie ran an errand to the local veterinarian, before we re-grouped and gathered ourselves together before starting to think about making our way down to the venue, the newly-established, and not-actually-quite-fully-operational holubnik, a new enterprise undertaken by vit, his brother josef, good friend mao, and abetted by the support of the local scene folk.


we made our way back down the hillside by car, winding along a path which soon had me quite disorientated until suddenly we were on the grounds of what used to be a very large brewery, but since thrown into disuse by way of economic 'developments' in the region. there cobblestone car-park had our vehicle judder and bounce its way to an appropriate halt as i gazed up through the windows to marvel at this impressive piece of industrial architecture, and how delighted i was that they had managed to secure themselves a new venue in such an impressive and culturally significant location, and how, as we unloaded and made our way inside, offering warmest greetings to some of the folk already on-site, i found myself opening an inocuous door into a really cosy, delightfully small and exquisitely-rendered room which served as the current venue for the operation.

within minutes i was delighted to find myself also in the company of the very cool josef, aka inau, who i had the pleasure of sharing a performance with on my first czech tour, on the final night in plzeň and how i have had the pleasure of crossing paths a few times since, but how he always manages to surprise me by appearing in a different location each time. still, this time proved to be yet more of a surprise as, after some short while, i got to learn that he and vit were actually brothers, and how the connexion seemed wonderfully sublime to me in the moment. two clearly legendary gentlemen had just revealed themselves as legendary brothers; splendid, splendid stuff indeed, and how i felt doubly-honoured to have made their dual-acquaintance in this, their newest venture in support of the outrageously fascinating czech music scene.


still, beside all of this newly-realised warmth of connexions, there was a show about to take place, and i can only imagine i was the only one in the room who really had no idea what was about to happen when the astonishing edoshův kurník took to the stage. from my, still regrettably quite limited experience, i have noted quite a theatrical-bent to a goodly number of czech hip hop acts, and so having had the term bounded around before the show i had a mild inkling in the right direction, but to see their performance in action really was something massively different indeed. i would not be able to do justice to the full spectacle in these short lines, but i can reveal that we are dealing with a four-member rap team, two male, two female, all super-young, and all seemingly bent on completely distorting reality for the duration of any given performance. i promise that you have absolutely no idea, and i am still trying to come to terms with being able to fully comprehend the madness in which they threw upon us this night. be sure to investigate.

somehow, it seemed, i was supposed to follow-up their performance in the best manner that i could, and feel that i might just well have managed to acquit myself admirably enough, performance an almost-pauseless blend of iron filings and sellotape materials combined with a number of songs from my recent 'six six seven' tape into quite the psychedelic whole, and allowing myself enough room for a few quieter spoken-word sections to drift in between the more chaotic peaks, and how the crowd was gracious enough for me to be able to perform a suitably-enjoyable rendition of 'listen the night' by way on an encore. later i would realise yet-further how suitably fitting this was, when vit revealed to me that my dear older brother 2econd class citizen had performed a house-show in his beautiful hillside manner the year previous; marvelous stuff indeed, and yet more splendid moment of warm connexions further realised.


with the shows wrapped up by ten o'clock in order to comply with current legislation, the audience of dear friends slowly made their seperate ways onto different locations to continue their evening whilst a few more of us remained, finishing our svařené víno and shutting down the marvelous holubnik compound til we were reduced to just myself, vit and his good friend mao, who was very keen for the three of us to head on to 'na valech'; his absolute favourite pub in all of kutná hora. vit assured me that this was very much the place we ought to head to, and how i needed no further convincing. with the venue secured for the night we made way back through the winding streets once again til arriving at this extra-special location, and how it did indeed reveal itself in that way from the very first moment.

although i am a little hazy on the exact detail, the name 'na valech' relates to the name of the original old wall of the town and how the pub is indeed set within the architecture of what remains of the medieval construction to protect the people of kutná hora from invaders in distant times. still, how the pub itself is an immediately welcoming prospect, the perfect tavern that could almost appear 'unchanged' in the last thousand years or so, and how we were soon sat at a long table surrounded by a group of immediately charming and wonderful friends of vit and mao's; regulars in this fine establishment, no doubt. how i immediately got to make the fine acquaintance of deka and his very charming wife míša, and exchanged very friendly smiles with a whole host of warm souls gathered along the full length of the table. conversation was soon flowing thick and fast and how, nikola, the very enchanting barmaid, was quick to repeatedly set a host of dangerous shots on the table for us; one of which being labelled as the 'devil' itself. big business indeed.


how the night bled on into the early hours with a mix of fascinating conversation from all quarters, a goodly deal of amusement, silliness and roaring laughter, more and more drink and dangerous shots arriving at the seemingly merciless hands of nikola, and how it was indeed really rather difficult to force ourselves to bid farewell to the souls communed on this wintry night. still, vit, mao and i stumbled out into the night and bid each other farewells as vit and i made the final walk back up the hillside to the quiet and safely of his hillside manner, and how the heavy rainclouds had been swept away by the evening breezes, causing all of the stars to emerge over kutná hora and our path offering beautiful vistas of the town drifting away below us as we made our ascent to our sleeping quarters, with just enough time to take a final tea, take in the last of the evening air and then retire into the dreaming once more.

how i must have slept incredibly well, vit's house being so particularly comfy and the snoozing klaudie to watch over me as the morning crept onwards. i must not have arisen until around eleven o'clock in the morning and how the bright sunlight was streaming in through the windows from between the trees of the woodlands opposite the house. for the first moments, i wasn't sure if i was alone in the house and had to reduce myself to knocking on the door of the master bedroom, only to find vit himself still slowly coming out the dreaming. we made our arrangements regarding my departure to the hlavní nádraži and how it afforded us enough time to handle our online business, drink a little earl and feast upon some much-needed toasted sandwiches conjured up by the man himself. but time was short and how my next train service beckoned.


at a little after midday we stepped back out into the fresh air of the kutná hora hillsides once more and took a gentle stroll through the copse and down into the disctrict of sedlec which lead back to the hlavní nádraži. it was, of course, at this exact moment that it dawned on me that it was the very same sedlec that contains sedlecká kostnice; the world-famous ossuary which i had so often had the greatest desire to visit, even planning it into the itinerary of my last czech tour with my dyxz.born.rndr brothers, only to be foiled at the last minute, and here i was again, just some hundred meters from the site, but with no time and a train to catch, the horror! i think my mix of disappointed excitement rather amused vit and how i distinctly recall arranging that we must make time to view the site, next time! we arrived at the hlavní nádraži and he graciously waited with me for the last ten minutes before my trains arrival, a gentleman to the last, and a wonderful guide and host on a wonderful excursion to this magical new spot on my czech map.

so, might i take a moment to offer so much thanks and appreciation to everyone involved and everyone who made it down to the show at the charming holubnik. the masters brothers holub, vit and josef, the very cool captain mao, the very exceptional edoshův kurník for their amazing performance and very kind words afterwards, to the very cool kubeat for his outstanding beatbox contributions and kind words, to all those whose names i didn't get to learn, to lenka for the super-nice food that gave me the energy for the adventure, and to deka, míša, nikola and the whole of the wonderful na valech family, who made me feel so very welcome in their extra-special world for the evening. how i am sincerely looking forward to next time so much already.

next field report : fog shrouding the steel heart of the republic

keep safe

jamesreindeer

leipzig, deutschland
26th february 2014

Monday, 24 February 2014

ستة ستة سبعة | instrumentals | out now | vi . vi . vii

in further continued celebration of my, now critically acclaimed and indeed award-winning,  'six six seven' release, might i be so bold as to present the complete, unabridged instrumentals for the entire release, available for a reasonable sum from my own bandcamp page, containing my own production efforts alongside the enigmatic j.mason of iron filings and sellotape, and featuring the trumpet of s.huber and clarinet of m.born.


how i am consistently overwhelmed and jubilant at the reception this release has received thusfar, and how it gives me great pleasure to be able to extend the experience yet further by offering these instrumental versions, also now complete with six new texts in an accompanying digital booklet. do be sure to think about fixing yourself a copy, should you so desire. you contribution to my cause would be so very gratefully received.

all the love

jamesreindeer
leipzig, deutschland
24th february 2014


Monday, 9 December 2013

ستة ستة سبعة | tape out now | vi . vi . vii

after some twenty-one years of making beats and writing rhymes, and after almost ten years of releasing records, i can finally unveil my first official self-produced solo album, entitled 'six six seven' and out now via the wonderful mism records family as a highly limited-edition, lovingly hand-crafted cassette tape, as well as digital download, available from both the mism records online store, as well as my own bandcamp page.


how it has been a long road to find myself at this point, but how i can wholeheartedly say that i feel i have put together a release which encompasses all one might hope to expect from a 'jamesreindeer solo release', but also bringing a good deal more into the equation, in pursuit of developing my own unique sound. please do be sure to investigate this release, it is the culmination of many years of work, and it would mean so very much to me indeed if you would choose to investigate.

keep safe, all the love

jamesreindeer
leipzig, deutschland

9th december 2013

Monday, 25 November 2013

album coming soon | ستة ستة سبعة

might i most jubilantly unveil my latest release, my first official full-length, self-produced solo release, entitled 'ستة ستة سبعة' | 'six six seven' and coming this december as a limited edition cassette and digital download via the mighty mism records.


containing six tracks and spanning almost 40 minutes, the album is a spiraling mix of arabian-influenced free-jazz doom-rap and features musical contributions from the extended throne burner and iron filings and sellotape families. stay tuned for more details.

keep safe

jamesreindeer

leipzig, deutschland
24th novemeber 2013

Tuesday, 29 October 2013

reporting from connewitz

gentle readers, might i take this opportunity to reveal some of the current facts in the ongoing case, detail my current whereabouts and hint towards all that appears to be growing near on the distant horizon. the short summer and autumn months caught me in a great spiral of chaotic activity and how it prevented me from finding ample time to be able to detail the myriad events which filled the warmer seasons. but now the slow, steady long of the winter is coming upon us, i am gladly finding myself with much more time to be able to word my reports and to be able to devote more attention to studio projects.

having been forced to reduce myself to leaving the rhein-main, my warm home for a little over the last three years, i can now gladly report that i am settled in the connewitz safehouse in leipzig, east germany. a strange series of events over these last four years or so has finally found me residing in the very same compound in which the jamesphoney & jamesreindeer 'mausoleum handout' live album was recorded so many long moons ago now; not long after i first settled in the depths of gut city, leaving sunny england behind me. but how i might reveal that i am very glad to find myself here and so very keen to produce some great work in this most historic of cities.


amidst the duration of the dyxz.born.rndr tour as the cold of the slow spring turned into the sudden warmth of the short summer, i found myself beginning the planning for a new solo release which would fit somewhere within the throne burner canon but that would enable me to explore some ideas which i had been toying around with on a theoretical level since the blackest depths of the summer of last year, whilst i was in close communion with babelfishh. he and i birthed the world of throne burner amidst chaos and turmoil, which soon bore the dyxz.born.rndr extension, and how i wanted this new project to be a further extension, exploring facets of the sonic landscape we have been pursuing as an extended group whilst bringing in some of the themes i wanted to explore individually.

to that end, and upon returning from our touring through germany, switzerland and the czech republic, i found myself setting about the beginnings of a this new solo project, my work being divided between the mainz safehouse and the connewitz compound, which i was by this point regularly travelling between. the first texts for the project came to me in the still of three nights in leipzig as the warm summer breeze blew through the open windows and the muse caught me swiftly. the first glimpses of loops and melodies arriving during the heat of the daylight under the azure summer skies in the mainz safehouse, and after six weeks of steady toil a new release, my first official full-length solo release, and my first 'reindeer' related full-length release in more than four years is almost upon us.

for now, i shall hold back further details until i can be sure of informing you of an accurate release date and all the other pertinent facts therein. but i can indeed reveal that it will be a cassette release on the mighty mism records, that it shall contain forty minutes of material, that i would describe it as some kind of arabian-psychedelic-free-jazz-doom-rap, that it features the impossible talents of j.mason, now revealing himself as a member of the iron filings and sellotape collective, the masterful clarinet of m.born, the sonic architecture of dyxz, the swarming trumpet of babelfishh and that there shall be a series of videos to accompany the release, the first of which shall be emerging imminently. stay tuned, indeed.


so now, here i sit in the safe confines of the connewitz compound, sipping black tea by candlelight and preparing the various final strands of this upcoming release, along with a host of other materials. again, insisting on being vague, i can also reveal that i am currently working with a series of beats from a host of staggering producers in the form of a number of 'features' to be released on a variety of formats in the steadily approaching future. i shall say no more, other than that it is a varied selection and how all of which are particularly inspiring for me to write and record to, so i am expecting good results from myself over the course of the coming moons.

perhaps needless to say, there are countless other strands slowly drawing themselves out withing the whole, and how i shall attempt to find time to be able to detail as much of them as possible. the winter is surely the time when one finds oneself huddled up by lamplight more than not, and what better way to utilise the time than be able to set ones thoughts in the direction of this strange and long ongoing. i shall be sure to word more on the myriad strands as soon as the next window of opportunity affords me to do so. until then, might i thank you for your interest and promise that there are many upcoming ventures which i am wholly confident shall bring strange new worlds of thought into keen focus as the dark of the winter extends long and frozen across the grey realms of the western lands.

jamesreindeer

connewitz, leipzig
29th october, 2013

Monday, 13 August 2012

video evidence from stö6, leipzig

gentle readers. might i delightedly reveal this very awesome piece of video footage which was captured on the leipzig leg of my most recent tour of deutschland, as part of the 'summer of discontent' proceedings alongside the mighty babelfishh, winterismyname and oskar ohlson.


wonderfully capturing a solid performance of 'helicopter gunships', the video really does splendidly convey the dream-like atmosphere of the stö6, a surely very special place indeed, and might i take a moment to extend a big 'thank you' to ronnie for keeping the lens steady.

keep safe

jamesreindeer

Monday, 11 June 2012

amidst the grease and chaos - second edition - out now

might we gladly announce that the ultra-limited hand-crafted second edition of the staggering and highly-praised 'amidst the grease and chaos' album from the mysterious iron filings and sellotape collective is now available to order from both the decorative stamp online store as well as my own bandcamp page.


already heralded as a 'classic' from many quarters, the album is a twenty track hallucinatory, psychedelic journey through field recordings, found sounds, manipulated loops, drones and distorted drum-sets. a darkly disorientating collection of sound-pieces indeed.


the second edition features the same tracklisting as the first, but with completely new album artwork, prepared in collaboration with the raindrop watchers and providing yet another enthralling set of images to complement the sounds therein. be sure to investigate immediately.

keep safe

jamesreindeer

Monday, 4 June 2012

iron filings and sellotape - re-release coming next week

ladies and gentlemen. with great enthusiasm and excitement we can announce that, this time next week, decorative stamp shall be re-releasing the highly-acclaimed debut album from iron filings and sellotape as a further limited edition of just fifty hand-crafted copies, featuring entirely new artwork designed in collaboration with raindrop watchers.


already heralded as something of a classic, including being voted as 'album on the month august 2011' by trip-hop.net, and making  a lot of 'end of year lists' for 2011, might we strongly suggest that you think about securing yourself a copy as soon as next monday rolls around, as we are anticipating that they shalln't be available for too long. get involved!

keep safe

jamesreindeer

Monday, 14 May 2012

helicopter gunships

albeit somewhat more-belatedly than planned, we can at last unveil the marvelous video of my a cappella performance of 'helicopter gunships', created in conjunction with the very awesome adrian woodhouse for the knertz icings blog some moons ago when the winter still had a strong grip over the new years slow building.

i had been very much aware of the very cool icings blog since its inception and was over the moon when adrian invited me to get involved too, and since i was not so pressed for time as other 'on tour' contributors, being a darmstadt resident, i was keen that adrian and i take a decent amount of time to come up with something extra-special.


still, we are possibly two of the busiest individuals in gut city, so it was pretty tough to get our schedules to co-incide, in fact i think it took four or five moons even, but at last we managed to gather together in the basement of the decorative stamp compound to put together this rather sinister treat, something amusingly dark in comparison to that which adrian might normally be known for.

so, please do have repeated viewings, please do check out the icings blog, make friends with adrian on facebook, check out some more of his work, as well as that of the knertz collective more generally, and do anticipate some more iron filings and sellotape related news shortly.

take care

jamesreindeer


Tuesday, 8 February 2011

iron filings and sellotape

i have had the pleasure of being involved in the iron filings and sellotape project since one psychedelic summers night in 2003. the project is an experiment of sorts, a view to creating music, film, still photography and literature with exclusively found elements, assembled with obsolete technologies. the name of the project itself might be clue enough. iron filings and sellotape recordings exist as if having been found buried in a ruined bunker, or collapsed building. broken fragments serving as some testament to an unwholesome truth which has pervaded human civilisation these past one hundred years, or more.

to that end, fragments of field recordings, tape experiments, grainy film and photographs have been amassed, with the intention of one day being revealed to the world as a fractured document to mirror our most troubled thoughts in the dark of the night or the bleakness of the light of day. for my part, i have contributed music, words, vocals and film to the furnace, all constructed by the lamplight of evening, scrabbled together with haste and an urgency; to compile the materials before they might disintegrate in ones hands. in good time decorative stamp will serve as the worthy vessel to unleash these salvaged reels, until then a few scraps of film, music and text exist to serve as an example of the ongoing experiment.

-

'amidst the grease and chaos' was completed some years ago, shot on a faulty digital camera mobile telephone, capturing scenes of late night analogue television signal of bbc news 24 on an old portable television set dating from some decades ago. all the footage was shot in a darkned attic against a backdrop of the beams and rafters. the scenes depicted therein are of the ongoing conflict in afghanistan, the british armed forces hunt for the fictional al qaeda in the fictional tora bora mountain cave complexes. as well as the rapid increase in opium production since the allied forces first engaged the taliban in the wake of the attacks of 9/11.




'war report [salvaged reels]' was completed just recently, having been shot on a modest digital camera, capturing scenes from digital footage obtained from internet resources. scenes therein depict the soviet war in afghanistan in the 1980's, as the reagan administration moved to support the 'freedom fighters' in driving the russians back across their border, inevitably bringing funds and training to a large number of islamist thinkers whose intention was to use these tactics to wage their war on the jahiliyyah which was spreading throughout the middle east, filtering in from the sinful west. the footage is intercut with two seperate reels of free associated text being typed across a computer screen.




there will shortly be two songs available to obtain from the project. the first, 'kingdom of heaven', now available as a free download on decorative stamp volume one, and the second to be featured on an up and coming cooler than cucumbers release. there are also a number of compositions available for streaming on the long since abandoned iron filings and sellotape myspace page. a great deal of the musical output of the project is currently instrumental, but for where vocals exist, it is my intention to post the words contained therein.

being the voice of the project, it would certainly fall within my remit to give more detailed explanations as to the why's and wherefore's of the project, but i would prefer to keep the exposition to a minimum and let the atmospherics of the project be the most important force. there is something about this music, words and imagery that has a quality found only in certain places, perhaps at certain times. do be sure to investigate further, should any of the above have struck a chord.

keep safe, be well

jamesreindeer

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